ailbeb
Finding Peace Where There Isn't really stopped me in my tracks. Stunning. Excellent sounds and mood throughout.
Favorite track: Finding Peace Where There Isn't.
Quantum Echo
These two artists combine their styles exceptionally well, and in my opinion their atmospheric tones, along with some well made shifts in pace, provide a level of quality only Diamondstein and Sangam could conjure. An immersive, often dark, 'neourban' experience.
wc_helmets
Some of the most beautiful ambient synth driven music you will hear this year. Wonderful touches of jazz and other elements really set this one apart. Amazing work.
Favorite track: April 1987.
csthielen
This dark and ambient exploration is full of surprises and every listen merits new findings. The two collaborators, Diamondstein and Sangam, both bring immensely fleshed out dimensions to the album's contours. And it is perhaps the distinctives each artist brings to this project that give the album its utterly unique sound.
Favorite track: Orbital.
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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Black Vinyl LP - The Ocean Between Us
Record/Vinyl + Digital Album
Run of 308 Black LPs pressed by Gotta Groove Records
"Romantic, ambient garage from two of the best producers operating in the post-vaporwave sphere [...]" - Andrew Ryce, Resident Advisor on "The Price of Failure".
From The Wire Magazine by Emily Bick:
''All instrumental, this one has two modes: moody 1980s film driving montage, and atmospheres saturated with rain and fog. ''Finding Peace Where There Isn't'' charges with 808 thrust, and ''April 1987'' soups up its rain on windscreen dreamy melody with a few Aphex acid squelches in the bassline - a nod to ''Avril 14th''? ''Orbital'' washes yet more rain over a muted sax pad, and in the watery ''Journey Into The Unknown'' you can hear the diluted influence of Vangelis's incidental music for Blade Runner. Alienated and nostalgic, these instrumentals would work as an alternative soundtrack to the video game Kentucky Route Zero, with its sunset colours, stark, mid-century petrol stations and futurised Edward Hopper vistas, and endless miles of road for the solo driver, looking for clues in an uncanny world". - The Wire Magazine (Issue 417)
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The full-collab follow-up to 2017's "Lullabies For Broken Spirits."
"The Ocean Between Us" finds the duo expanding significantly on their sound, incorporating elements of postmodern classical music, beat-driven synth, and dream techno into their signature electronic minimalism. Tracks flow in and out like the tides, providing listeners an opportunity to let go completely; with bodies afloat on the water's surface. While the music provides escape, it also offers an opportunity for introspection.
One of the clearest shifts in the duo's work is the presence of electronic beats amongst their synths and found sound. Album opener, 'April 1987' puts an interstellar jazz kit in the room with an ecosystem of cinematic electronica, and the album's first single, 'Finding Peace Where There Isn't' builds to a climax that could be described as Philip Glass going full techno.
Like all of the music made by these producers, there is a profound emotional element to each song, despite the fact that there are no lyrics. Instead, the notes themselves conjure feeling from within the listener, allowing each track to hold its own personal significance for every individual.
credits
releases October 16, 2018
All Music Written, Performed, and Mixed by Diamondstein & Sangam
Mastered by Rafael Anton Irisarri at Black Knoll Studio
Cover Photography by Hevx
Layout by Z. Emerson
Includes unlimited streaming of The Ocean Between Us
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
...more
"Romantic, ambient garage from two of the best producers operating in the post-vaporwave sphere [...]" - Andrew Ryce, Resident Advisor on track 7, "The Price of Failure"
''All instrumental, this one has two modes: moody 1980s film driving montage, and atmospheres saturated with rain and fog. ''Finding Peace Where There Isn't'' charges with 808 thrust, and ''April 1987'' soups up its rain on windscreen dreamy melody with a few Aphex acid squelches in the bassline - a nod to ''Avril 14th''? ''Orbital'' washes yet more rain over a muted sax pad, and in the watery ''Journey Into The Unknown'' you can hear the diluted influence of Vangelis's incidental music for Blade Runner. Alienated and nostalgic, these instrumentals would work as an alternative soundtrack to the video game Kentucky Route Zero, with its sunset colours, stark, mid-century petrol stations and futurised Edward Hopper vistas, and endless miles of road for the solo driver, looking for clues in an uncanny world." - The Wire Magazine (Issue 417)
-----------------------------------------------
The full-collab follow-up to 2017's "Lullabies For Broken Spirits."
"The Ocean Between Us" finds the duo expanding significantly on their sound, incorporating elements of postmodern classical music, beat-driven synth, and dream techno into their signature electronic minimalism. Tracks flow in and out like the tides, providing listeners an opportunity to let go completely; with bodies afloat on the water's surface. While the music provides escape, it also offers an opportunity for introspection.
One of the clearest shifts in the duo's work is the presence of electronic beats amongst their synths and found sound. Album opener, 'April 1987' puts an interstellar jazz kit in the room with an ecosystem of cinematic electronica, and the album's first single, 'Finding Peace Where There Isn't' builds to a climax that could be described as Philip Glass going full techno.
Like all of the music made by these producers, there is a profound emotional element to each song, despite the fact that there are no lyrics. Instead, the notes themselves conjure feeling from within the listener, allowing each track to hold its own personal significance for every individual.
credits
released October 16, 2018
All Music Written, Performed, and Mixed by Diamondstein & Sangam
Mastered by Rafael Anton Irisarri at Black Knoll Studio
supported by 100 fans who also own “The Ocean Between Us”
Timeless classic, I've discovered this album in 2019 and I still think it's one of the best albums ever. Great for long train rides and smoking weed at 3am akizona
supported by 78 fans who also own “The Ocean Between Us”
What can I say brilliant work that speaks to me. As a long time lover of ambient this album really came along and impressed me with all the right touches. I can’t wait to see what other releases are coming next! Mutiny
supported by 76 fans who also own “The Ocean Between Us”
As haunting and hypnotizing as going through the MGS series in release order and growing more and more captivated by the fandom's fabled Venom Snake without knowing a single thing about him. No, but seriously, this album is a work of art to transport you far, far away, an idea that draws you into the abstract. quietis
Utah field recordist Alex Green makes a call for global unity on this uplifting, deeply textured ambient sound collage. Bandcamp New & Notable Dec 15, 2021